raymarius (raymarius) wrote in theatretickets,
raymarius
raymarius
theatretickets

this is a fantastic show!

 
----- Original Message -----
Sent: Wednesday, February 15, 2006 8:12 PM
Subject: FW: EVERYBODY'S WELLES at The Segal Theatre of the Saidye Bronfman Centre

Dear Educator,
The following information should be of interest to you when you are planning this Spring's outings for your students.  Please call me for any more information and to book your Group tickets.
Hope to see you here.
 
Shirley Gonshor
Theatre Sales Director
Leanor and Alvin Segal Theatre
Saidye Bronfman Centre for the Arts
514-739-2301, ext. 327
 
 
 
 
 
___________________________________________________________________________________________

The Leanor and Alvin Segal Theatre and THÉÂTRE PàP present

 

EVERYBODY’S WELLES

(EVERYBODY’S WELLES POUR TOUS)

Masque award for Best « Montréal » Production

Masque award for Sound Design

Eleventh edition

 By Patrice Dubois and Martin Labrecque

Translated by Maureen LaBonté

Directed and performed by Patrice Dubois

 

English Premiere!

March 5 – 19, 2006

(Premiere Media : 9 mars 20 h)

 

The Leanor and Alvin Segal Theatre

Saidye Bronfman Centre

5170, chemin de la Côte-Ste-Catherine, Montréal

Tickets : 514.739.7944

www.saidyebronfman.org   www.admission.com

 

Photo : Stéphane Corriveau, © 2003

 

Everybody’s Welles, a multi-media, solo performance by co-writer/director, Patrice Dubois, about a meek Quebecois film scholar whose life and career are altered by his experience of Welles’s films. It is a piece of theatre that takes up the recurring themes in Welles’s life and œuvre, notably the student/teacher relationship and the search for one’s individual identity within greater society. One could also say that this production draws a portrait of American society from 1915, the year of Welles’s birth, until today. Everybody’s Welles does not pretend to be a definite biography of Orson Welles but rather a theatre docudrama, an evocative homage to Welles where fact and fiction blur.

 

Patrice Dubois & Martin Labrecque

 

«  We are actor and lighting designer, respectively. And even though our approaches to playwrighting and views of Welles may vary, our different crafts are complementary. Simply stated, producing this theatrical piece required us to become, in a way,  « Wellesian » with Welles : That is to say, multi-faceted, politicized, highly artistic and most importantly, impassioned. »

 

EVERYBODY’S WELLES POUR TOUS was created by THÉÂTRE PàP in 2003, at Espace GO. The show was invited to the 21th edition of Francophonies, in Limousin, in 2004, before undertaking a tour throughout Quebec.


 

 

An absolutely incredible piece of research…

A well-documented, amusing, and touching portrait of a visionary who revolutionized every media that he touched.

Patrice Dubois and Martin Labrecque have drawn a wonderful portrait of Orson Welles while at the same time depicting a modern man.

Patrice Dubois is talented!

Martin Labrecque creates extraordinary ambiances – there are fabulous Chinese shadow puppets.

It’s touching, it’s very well done.

An intelligent, inventive, moving, and superbly acted show.

Orson Welles devotees will find no fault with this production.

 

André Ducharme, Chaîne culturelle de Radio-Canada

 

EVERYBODY’S WELLES

co-produced by

The Leanor and Alvin Segal Theatre and Théâtre PàP

By Patrice Dubois and Martin Labrecque

Translated by Maureen LaBonté

Directed and performed by Patrice Dubois

Assisted on stage by: The Shadow Stéphane Franche

Assistant director, stage manager: Catherine La Frenière

Set and props: Olivier Landreville

Lighting: Martin Labrecque

Sound design: Larsen Lupin

Costumes: Caroline Poirier

Assisted by: Tiffany Oschmann and Valérie Delacroix

Makeup: Sylvie Rolland - Coaching: Joel Miller

Artistic director: Claude Poissant

 


 

 

Patrice Dubois

Actor, playwright, director

 

For the past 12 years, Patrice Dubois has plied his trade in various ways and in various mediums. He has performed in a number of theatres in Montreal and throughout Quebec, and has taken part in many projects that put the emphasis on playwriting and research. In June 2005, played the role of the lame Richard Premier in the epic Vie et mort du Roi Boiteux, by Jean-Pierre Ronfard, presented within the Carrefour international de théâtre de Québec. He founded Le Groupe Audubon, which focuses on the works of Boris Vian and pataphysics. He is currently working with this company on a collage of texts by Peter Handke which will be presented next fall. On television, he has acted in over a dozen series. For the past four years, he has played the role of Victor Dubé in the series Les Poupées Russes, broadcast on the TVA network. He has taken part in the dubbing of some one hundred films and television shows and has narrated documentaries, including the series La filière froide, broadcast on Canal D. 

 

Patrice Dubois is co-director of Janvier Toupin Théâtre d’Envergure which will present its fifth show in 2007: a play by François Archambault presented at the Théâtre La Licorne. He has directed several productions, including Betty à la plage presented in 2004 at La Licorne and, most recently, Le songe d’une nuit d’été, with the graduates of the École de théâtre de St-Hyacinthe. He is a 1993 graduate of the theatre program at the Cégep de St-Hyacinthe.

 

 

Martin Labrecque

Lighting designer, assistant playwright and director

 

Martin Labrecque has collaborated on a wide range of projects. Among them are: Théâtre de l’Opsis: Meurtres hors champ, Oreste – The reality show, Je suis une mouette (non, ce n’est pas ça) and L’homme en lambeaux, for which he won the 1999 Masque award for Lighting Design. With Serge Denoncourt, he has worked on: L’habilleur, at Compagnie Jean-Duceppe, Le peintre des madon –for which he won the 2004 Masque award for Lighting Design–as well as Les feluettes, at Espace GO. With Michel Monty at Théâtre La Manufacture, productions include: Gagarin Way, Antarktikos, and Cyber Jack. At Théâtre UBU, with Denis Marleau: Le petit Köchel. With Claude Poissant: Les oiseaux de proie, at Compagnie Jean-Duceppe, Ce soir on improvise and La fausse suivante, both presented at Théâtre du Nouveau Monde. With Théâtre PàP: Unity, mil neuf cent dix-huit and Les enfants d’Irène. In dance, he has collaborated six times with Estelle Clareton, notably on the production Monsieur. Variety shows include Nomade and Rain, by Cirque Éloize. In 2005-2006, he designed the lighting for the Cirque du Soleils Corteo, directed by Daniele Finzi Pasca. He started off the year 2006 by designing the lighting for the Le Malade imaginaire, by Molière, at Théâtre du Nouveau Monde. He graduated from the theatre program at Collège Lionel-Groulx, design section, in 1994. He further perfected his skills by taking the Broadway Lighting Master Class, in New York, 1998.

 

 

THÉÂTRE PàP, artistic director Claude Poissant

 

Since its founding in 1978, THÉÂTRE PàP has consistently pursued its mission of promoting the works of new playwrights and creating shows where the artists (playwrights, directors, actors, designers) are invited to join forces and invent a form of theatre that is always renewing itself. Past productions include Les Feluettes by Michel Marc Bouchard, Motel Hélène by Serge Boucher, Les Huit Péchés capitaux a collective creation, Le Goûteur by Geneviève Billette, L’Hôtel des horizons by Reynald Robinson, Le Ventriloque by Larry Tremblay, Unity, mil neuf cent dix-huit by Kevin Kerr, La petite scrap by Dominick Parenteau-Lebeuf, and–recently–Le Traitement by Martin Crimp, co-produced with the Festival de théâtre des Amériques. In all, the company has produced some fifty plays, most of which were written by contemporary Quebec playwrights. THÉÂTRE PàP has been the resident company at Théâtre Espace GO, in Montreal, for eleven years where it produces an average of two shows per season. It also organizes tours. www.theatrepap.com

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